I go back to the concept maps right at the start of the course, put them up on the wall and then take little tours through them. I find three so far:
1 touch
i take a little tour across and through my living room wall and the concept maps i made a year ago. their format does neither photograph well nor did it display easily otherwise, so i forgot what i had been doing. touch was map #1, they got less textual, more spacious as i went along.
i of course delight at touché, tocarse, out of touch. google doesn’t translate the pleasure that lives in the middle.
bebopalubop it quietly hums before it moves a little upwards and out of touch. touché. (it possibly touches the ceiling now.)
2 contact
:: and for contact. (i had forgotten about the transmission but delighted to find the precursor of ωθήσατε in here already and of course: Ursula Le Guin… i wonder if i thought of anything specific, did i?)
3 body in movement
:: body in movement (map #3) is more graphic, less wordy.
site is a graphite smear, i have some misconceptions about audience, ask about the tool as drawing (and find this in some of the autumn things); there is a resonance field which i will keep:
