site: the bridge of Ag. Achilleios

the bridge, the bridge, the bridge
– is what made me go for the accommodation
– is possibly what made everyone else go for the accommodation
– i cross it probably around 15 times or more over the week.
– i rarely cross it on my own though, perhaps only 3 or 4 times
– the first time i see it it is dark: Jo drops me and Laura and Paul off. Laura and I hadn’t been. the reed, the floodlight and the mosquitos, then the noise; i have to tell them that it is my birthday. i am bursting with joy.
– crossing it in darkness is still the best of it
– i walk early one morning (around 8am) and take the spider web photos
– early on, Georgios and I cross it slowly, he films, i film a little too
– early on, we walk upon a boat that wants to go underneath. the old couple gestures for us to wait, while they duck down and move underneath
– on Friday evening, at the end of our pelican tour, we all do the same
– i watch red dragonflies, snakes and snake skins, many water birds, i see a dead trout drifting past one day, see green lizards and Greek wall lizards, hear frogs, so many frogs.
– one day i return and find some chalk marks. later we find that they are Manuel’s who wants to talk about them in the village hall.
– we hear the story of how the bridge was built from Panos and later again from Eleftheria. it was built for her friend who couldn’t get to school in winter and wrote to the president. they build the bridge so that her school wasn’t just summer school.
– some nights the bridge meshes with the tsipouro. one day it is windy and the wind animates; and then one day i watch a thunderstorm over Vitsi while i walk across on my own.
– i meet Karla on the bridge when she arrives. i meet her again not much later. we stop and chat
– Jo sends a text that she has just arrived. when i cross i find her chatting with bean lady via the voice animated google translate.
the bridge was so absolutely worth it.

 

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Sonic Seance: the gathering (a rather thin line through:)

 

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the opening scene of this video:

— move, lock, pause. move, lock pause. it rotates around the axis of the split screen (but not quite); the camera is fairly static but still hand-held, I suspect. Twice, or three times the screen goes black except for the split and some colour cast, the monochrome and colour side switch. for at least one of the sequences, the camera is further away. the screen is suspended, like all others, from the ceiling, has some leaves wound around the suspension leads. to the right you see part of the large projection across the far narrow end of the room.

near space as concept (tracings)

near space as concept:

the gap as source – copying – remaking the gap – mapping/reinstalling (not) – talking about it – writing endings – performing it. letting it be.

the corridor – walking it – recording it – sitting next to – intervening in it – re-orientating it – working in it. leaving it.

other space – the gap as opening – utopian space in the office – world-making – tracing the corridor. dreaming the spot that opens up and out.

the island.

the line to the car park.