— I read Spahr’s collection of two long poems from 2004 (and written after 9 September 2011 and then from late November 2002 to late March 2003) at some point last year and keep returning in thoughts back to it. I read quite a bit of her writing at that point and am taking with form and subject matter, an environmental concern that decentres at once human agency/ perspective and also articulates a political concern running through it.
I am not sure yet for what, but I feel that her writing will be important for what I am doing.
The collection of thisconnection is available online here.
I haven’t quite figured out what/ how much I want to repost here, so this post may simply become a collecting point for a number of comments on it.
4 February 2019:
- there is something in the ritualistic building up, then building out, then reversing which really works for me. also: the visualisation of what sentient negative space is like and how it builds a connection (which then is both lovely and doomed)
- what Spahr does is exploring sentient negative space. how it connects and is animated. her negative space is of course not empty: it is air, a particular mix of elements, sustaining life on earth.
the fairly simple structure of the long poem allows for repetition, a stepping aside and into a haze, a sense of knowing how to proceed, to arrive at a simple and devastating final line (which of course is not final, as she picks up again at the point at which she realises that the US will invade Iraq she continues)