This is a summary post to bring the early enquiries and considerations and experiments around site, praxis and contact towards the final dissertation.
It is part of the research folder (and referenced in the dissertation itself):
There exist different modalities to distance and closeness. Some of them are indexical: folding the sketchbook pages around the staircase bannister; Herz/Stein wrapping and folding, binding them, the stone seems to disappear. Here the direct touch alters and shifts and is significant as to what is object or event. Through the enquiries I have a sense of what happens when this becomes looser, when the distance increases, how much resonance is carried up to what point and when it then recedes. At this stage I am glad to find and intrigued by the generosity and abundance of the research and how much was actually happening in contact.
The extent to which this has been researched over more than two years is significant. If I consider a number of early slide shows exploring travel routes, bridges to cross over and pass underneath and bus journeys in Northern Greece, these already explore such questions of reach, resonance, veiling along with questions of where and how contact happens.
The first enquiries began to articulate as drawing/contact events (d/c events): they generally were fleeting, moving through or constructing a relational space (often with one other person); some happened in passing (the first four), then I begun to invite people to share such event/encounter with me.
drawing/contact events (accidental, intentional):
This one the one where I felt I was beginning to understand the relational dynamics of fleeting, yet significant contact:
This final one with my dad happened after I made the verge/weed series and which allowed a deliberate movement within spatial registers (a line, a boundary, a stepping across:)
Concept map around Drawing/Contract for BoW/Research:
I kept revising my initial concept map around drawing/contact up to this point:
Agios Achilleios as site for enquiries:
Around the time the drawing/contact events begun to constellate, I travelled to Northern Greece for a Walking/Arts conference (presenting the work around the DI&C The Line project). I used the extended time on a small island to explore the spatial constellations, the role of the pontoon bridge, emerging friendships as well as attending to fauna/flora to dig around my themes of drawing/contact. In the months following I presented the material in a series of Pecha Kuchas to varying peer audiences, exploring notions of boundary, site (implicitly here: reach/resonance), fleeting contact:
This is an example of one the slideshows I made of the materials:
And finally, I made this video at the end of the trip, in register it’s closer to earlier work (in its forthrightness, its pacing and its directness) but also reference the spatial registers of those early enquiries:
I also continued similar enquiries at another visit at my parents, developing the theme of bridges in the work:
All ensuing work around spatial registers then takes in explicitly the staircase site, a bit absentminded traced the first urban lockdown loop and then relocated to the Northwest German village/wood edge that became the eventually body of work. These are more easily accessible in the final parts of the blog but I wanted to draw together these early, formative, spatial registers that helped articulate towards the final resolution in For Cover as well in the dissertation itself