Sustain Your Practice : opening moves

I signed up for SYP before submitting assignments 5s for Res and BoW, I wanted a little transition to see if any redundancy would emerge. I asked for my Res tutor to continue as my SYP tutor which meant that I would benefit from both L3 tutors for two modules each.

We had a preparatory conversation in early May and it was incredibly useful at that time as it wrapped and focused the eventually fairly tight submission deadlines for Res and BoW but also helped me with some motivation towards moving forward with this work and using SYP as a way to revisit a number of intentions, motivations and ambitions that I had and have for pursuing this Creative Arts degree and, crucially, for sticking with it for this long.

The notes for the May meeting are as follows:

  • Site specificity of the work for this site that I found myself and the work in?
    • Where and how does the work exist?
    • Does the documentation become the work?
  • Rachel says that what is good about SYP is its seriousness of identifying, articulating and seeking who and where the audience is and how to interact with the work: taking engagement very serious.
  • Sol de Witt’s Instructional Drawings
  • Elisabeth Tonnnard’s Swimming Pool Book and Ed Ruscha
  • But to return to the engagement and to finding your audience as key to sustaining your practice
  • The extent tow which text and journal submissions are part of this
  • To use the 9 months that I have and to schedule what needs to happen
  • Submit the project plan and the other assignments happens somewhat concurrently
  • How to delineate what is BoW and Res, and how SYP traditionally only pursues BoW in an exhibition format
  • There is often a mistake that people submit too much as BoW for assessment: be clear what needs to be submitted: like, 3 objects and the relationship across (and to check with Doug)
  • 20 July as submission for SYP 1

I submit Res 5 and BoW 5 after this discussion and then have a joint tutorial (plus a written one for Res 5) with both my tutors. The latter, as requirement for BoW 5, includes a projected engagement plan which now folds forward in to SYP A1.

After conclusion of Res 5 I start a series of site-based drawings, essentially the final drawing for BoW that I halted as I began to understand it as Research Object, not as part of BoW. I use the practice of this drawing as transition and then begin in early July to assemble the materials for SYP 1. As with all modules it has a series of exercises to gather and review at the start, they are good ones and I will place them on the blog over the next week.

I also sign up for another Practice as Research set of workshops with Rachel for the CA cohort and am offered a 45 min slot to talk about my work, I use this to tease out connections and lose threads and try to make communicable how I research and what my methodology is (in part I see this working towards that development of a mobile toolkit, another part helps me write the project plan alongside).

(I will add and later link relevant blog posts here).

I remain a bit daunted by the timescale as my family situation remains fragile as it is, at the same time I take confidence from what has been possible to do over the past year and have a strong BoW and Res completed and to move forward with. The start of SYP helps me to remember the reasons for sticking with the degree, even though my location and the field in which I would see my artistic practice be professionally situated shifted so much over the past 18 months. Some of that however doesn’t matter and I have a good sense of what I want to make public, to what kind of public and with what kind of professional position. For this, SYP will be good.

(no images today)

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