December review (3): the sketchbooks > drawing/contact portfolios

What is drawing/contact now (after nine months pandemic, after nine months pausing and after not just one (pandemic) but two shifts in site/practice (relocating temporarily and suddenly to Germany)?

What do I understand about it (better than in March)?

How can I re/present it?

  • Relational space
  • Recording
  • Translating
  • Shifting/remaining

At the BoW tutorial 3 (December 2019) a key task was to explore how to lift the material off the various sketchbook (physical, digital (IG and FB) and camera roll).

I realise this task remains the same, and currently plan to revisit the various drawing encounters across the two years and try to work each of them as a loose sheet portfolio. The idea is to arrive at about 7-12 such portfolios, with unique material for each encounter and a series of works (multiples, some originals) that stretch across and mark my understanding of key aspects of this work/practice.

For these, the bigger works of the autumn will act as screen and constructed site, so that the entire body of work functions across different scales and forms of intimacy: dropping into handling collections such as these portfolios (alongside Herz/Stein and Drei Nuesse) while sited within the bigger installations of Larchwood, Trafodecke and Walnut Tree of Touch.

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