holding* / form

A container (!) post to trace the outer edges of this extended BoW.

The notion of excess, abundance is part of this work (and rose most clearly so far in the discussion with my Research tutor). Here, the written dissertation incorporates forms of glossary, appendix, additional materials, see Res report 2. A current phrase is satellite objects of the work.

In BoW this has arisen at points over conclusion and presentation: how does this work sit and enact a publicness. Much of this will be eventually resolved in SYP, yet: for BoW this remains relevant as it concerns site and access of the work and more conceptually: the internal mechanics, the animation, the organising forms of it.

An early concept was that of assemblage (raised in BoW tutorial 1); I hold it for a while, it is right in terms of the looseness, openness it suggests. I hesitate as it pushes the work firmly within Actor-Network-Theory and for my academic self the concept is too heavily laden already.

In this line of thought I remember how I conceived of the dialectics in my PhD work as internal relations and a fragmented and contradictory totality. Settling and explicating the latter was significant. It is too academic for what I am after now, and I also don’t want to get embroiled in quite such an extent in historical/critical materialist debates.

The concept maps from last winter explore much of this and are due an update. I also have a series of posts and notes that address a holding form in practice, some assembled in this earlier post.

I have the sense that the dream construction which led me to the staircase as case study site is a good organising frame. It is complex, open, it moves, it denotes an elsewhere, it allows me to drop various project strands and investigations into it. It is animated.

I use as concept for this set of questions for the body of work the tag of ‘holding’; holding space or creating a container for a work to take place within is a concept I use in my facilitation practice. It may be a gesture, pose and practice that can be utilised for this work (container, in turn, is too rigid, too closed as concept).

— I don’t feel I need to clarify much further yet. There are a series of investigations about to start, and to continue, which will clarify and test this aspect further: investigating excel/GIS as relational practice across analogue/digital; exploring geolocation a bit further as to how it can link and envision various sites on/offline (imaginary, experienced, conceived) and further work in the staircase itself.

2 thoughts on “holding* / form”

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