yesterday, when I took some print outs of some of the mapping and drawings I did while away, I think I ended up with the first thing of this module that is a thing:
the spatial praxis concept map is photographed, printed, drawn over and overlaid with the torn sketch of some masking tape tear. i photograph it on the table and let it in part overhang the edge, so it folds downwards (not to the green but to the black).
it echos both working practices from across Drawing 2 (photocopiers, tearing, overlaying) and of DI&C’s Office at Night (the manual collages that drop off into the edge and negative space).
around this one piece, there are several more iterations (before and after) [clicking on them takes you to the media file — some are in landscape orientation]:
I have some more ideas around the shadows to explore (but need a tripod/ video set up for this); want to fold the map, tear a bit further and use some oil pastels and turps to smudge.
>> interested in the enacting of a different plane within this; what happens if I in drawing simply draw out (i.e. open up) those different planes, dimensions that I sense may be there; also: ordinary materials and pragmatic objects (the concept map is part of the Research/ dissertation development: it is as such not an art object but a writing/thinking aid: what happens when I transpose into the body of work?