The map on spatial praxis leads to a series of earlier sketches/notes that seem relevant.
Notably: it is the idea that the image plane folds upwards and allows us to crawl into the space between the two filing cabinets of the Gap:
1. the after dinner mints fold into shapes, c 2010 on a lunch time date with my parents and my grandfather. Just before I had seen Bethan Huws’ work in Hanover.
2. Placeholder 3(a) and 3(b) [Cairn], 2013 : part of a body of work that tried to get at notions of place and movement in Northwest Iceland and memory thereof. It is part performance, part lens-based work: I lie down on my living room floor as if I had crouched into a half-ruined cairn on a plateau that we encountered a couple of months earlier.
3. chestnut buds that I construct our of masking tape and suspend in front of a large print and cut-out.
>> the question in all of these is of scale and position of body towards that scale. Of radically altering scale and thus a cave becomes a little handheld object. Bethan Huws’ show consisted largely of a set of ready-mades, bottle holders if I remember correctly, which appeared christmas tree like and we would walk through them. the tinfoil shapes on a dirty table cloth resonated with those. (there is a text I wrote on the Huws show in my previous blog here)
I also think of Leykauf’s Spanische Wand of photograph/installation (see link on DI&C blog here) and a number of other photography, print installations and illusions that play with these forms of a perception, stand-in and scale shift to become performative, iterative and perhaps as much surreal as utopian.
I am also thinking about loosely folded paper planes and shapes, arranged in a number of configurations. I begin to play a little in my sketchbook: